Till Lindemann’s recent performance at Pier 17 in New York City was an immersive journey into a world of theatrics, intensity, and dark humor. Infamously known for his provocative stage persona with Rammstein, Lindemann’s solo endeavor retained the same edge while introducing innovative elements that catered to his distinctive artistic identity. The show took place against the breathtaking backdrop of the rooftop venue, with the illuminated New York skyline of the Brooklyn Bridge serving as a mesmerizing backdrop, creating a visually and sonically captivating experience.
The evening commenced with Aesthetic Perfection, an electronic-industrial act that set an electrifying tone for the night. Their pulsating beats, infectious hooks, and the commanding presence of frontman Daniel Graves swiftly engaged the crowd. Blending darkwave, electro-pop, and industrial elements, their music resonated deeply with the audience, offering a compelling blend of danceable rhythms and gritty undertones. Tracks like “Antibody” and “Love Like Lies” showcased their ability to intertwine melody with aggression, eliciting cheers from both existing fans and newcomers alike.
Twin Temple followed, offering a drastically different vibe with their “Satanic Doo-Wop” stylings. Frontwoman Alexandra James commanded the stage with a mix of sultry vocals and Gothic energy. Twin Temple’s fusion of 1950s-style rock ‘n’ roll and occult-inspired lyrics is a clever blend. Their retro aesthetics and dark ritualistic undertones provided an intriguing contrast to the night’s industrial edge, and songs like “Satan’s a Woman” added a playful, yet subversive charm to the evening.
By the time Till Lindemann took the stage, the crowd was fully primed. Opening with “Zunge,” the title track from his debut solo album, Lindemann and company immediately commanded the crowd’s attention. Standing on risers, silhouetted and bathed in red light. His deep, guttural voice boomed through the venue, cutting through the night air as great lights and smoke towers punctuated the performance. The setlist pulled from his solo work, including tracks like “Praise Abort,” a darkly comedic anthem that had the crowd chanting along, my personal favorite “Fat” and “Fish On,” a bizarre yet infectious song that highlighted Lindemann’s tossing actual fish into the crowd. What a twisted sense of humor.
The real spectacle, however, came with ”Allesfresser” when drummer Joe Letz popped out throwing pies and well… other things. Then “Platz Eins” when Till took a stroll through the crowd filming it the whole time. It was one of the night’s most visually striking moments, with dramatic lighting and intense LED wall displays. Lindemann’s powerful stage presence was in full force, with the frontman leaning into his signature mix of menace and charisma. Wrapping up the first part of the set with “Skills in Pills” and a remix of “ Eating the Dogs and Cats” If you know, you know. They came back with an explosive trio of encore of ultimately ending with “Ich hasse Kinder,” leaving the audience electrified.
Overall, the night was a whirlwind of industrial metal, eccentricity, and dark theatrics, with Till Lindemann microphone throwing attitude proving once again why he’s such a compelling figure in the world of heavy music. The openers provided a diverse musical mash leading into his bombastic performance, making it a night to remember for fans of the darker, more eclectic sides of music.
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WORDS AND PHOTOS BY OMAR CORDY
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