Amorphis – Under the Red Cloud


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With a career spanning 25 years, Amorphis are a true powerhouse in the Metal scene, and with the arrival of their twelfth album, it seems there is nothing that will stop them from going on for another 25. Under the Red Cloud (Nuclear Blast), is a testament to the skill and heart of these musicians. It is perhaps a tad heavier than most of their recent work, but it is once again filled with amazing licks, lyrics, and compositions.

The title track has an excellent intro with guitar and piano gently combined before diving face-first into the metal. Throughout the album the vocals switch the between a beautiful, crisp voice and deep grunts. There does seem to be more grunting than on the previous few albums, and this corresponds to the rest of the music. Much of the middle section of the album has a lot of elements of Black Metal, and Tomi Joutsen’s deep grunts are well suited to the style. ‘The Four Wise Ones’ is probably the blackest of the songs, while ‘The Skull’ combines Power, Progressive, and Black Metal into something heavy yet uplifting, with surprisingly sensitive twists. ‘Death of a King’ adds a delightful whistle over the grunts and heavy riffs.  

But not all is heavy or blackened on this album; ‘Sacrifice’ is pleasant yet dark Power Metal, while ‘Tree of Ages’ is definitely barking up the Yggdrasil of Folk Metal. There is a spacy keyboard solo in ‘Enemy at the Gates’ and even a somewhat bluesy mini guitar solo in ‘Dark Path’, which also features a stunning intro with piano and acoustic guitar.

One of the absolute highlights is the album closer ‘White Night’, with its hauntingly beautiful female vocals and well as lovely melodies in the male vocals and guitars. Of particular note is how the beats of the drums and vocals alternate in the chorus to create a very unusual yet captivating sound.

One of the most impressive elements in Amorphis’ music is the flow of the guitar licks which, unlike in many other bands, doesn’t stop as soon as the singing starts. In ‘Under the Red Cloud’, for instance, the motifs continue behind the chorus. The effect is one of great vivacity. Another winning ingredient has to be vocalist Tomi Joutsen, because of the great variety and energy he brings to his vocals.

All in all it is clear that Amorphis have once again delivered an excellent selection of music.

 

9.0/10

 

LORRAINE LYSEN