Puya – Bloodline Theory – Zombie Frogs: Live at the Middle East Upstairs, Cambridge, MA


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I’ve been to some pretty spectacular shows this year, but I don’t think I looked forward to them anywhere near as much as I looked forward to finally seeing my hometown heroes in Puya. I don’t mean to get sentimental, but it’s not every day that my Puerto Rican heritage and love of metal come together.

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The first act to take the stage was a local group known as Zombie Frogs. They played a few instrumental numbers that were saturated in keyboards. I personally have a very low tolerance for that sort of thing but apart from keyboard overkill, the music was pretty good and they have the potential to make some interesting songs.

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Another local band, Bloodline Theory, was up next. Their sound was reminiscent of nu-metal at the turn of the new millennium. Twelve year old me would have loved them and, to be honest, they weren’t half bad. One of the highlights of their set was a cover of Eminem’s ‘Lose Yourself’ simply because of how unexpected it was. However, the true peak of their performance was when the guitarist’s fly went down and our own Keefy got an eyeful of another man’s junk. That’s just one of the hazards that come with the job.

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Headlining band Puya opened their set with fan favorite ‘Ride’ and had the entire room singing along. I was pleasantly surprised with how heavy they are live, even the lighter parts of songs still had a good kick behind them. Vocalist Sergio Curbelo loved showing off his inner salsero and occasionally assisted percussionist Oscar Santiago with a number of different instruments. Ramon Ortiz’s versatile guitar playing shone through all of the Latin, jazz, funk, and metal influences present in the band’s music. That being said, anyone who knows anything about me knows that I love a good bassist so you can bet that I was firmly parked in front of Harold Hopkins Miranda in the front row and he did not disappoint. I had expected a set that focused more on their heavier music but there was a fantastic mix of everything. Puya is a perfect example of Latin metal and Latin fusion done right. It was easy and natural to jump from something like ‘Solo’ to ‘Tirale’ without batting an eyelash. The Latin fusion juggernaut wrapped their performance with an encore of one of their most well-known and well-loved tracks, ‘Oasis’.

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Puya was every bit as incredible as I had hoped they would be. I can cross them off of my bucket list for the time being but I’ll be waiting for them to come back to town. Come to think of it, heading back to the homeland to see one of my favorite bands sounds like a pretty good idea to me. Check out their impressive set list below.

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Puya Set List

Ride

Erizo

Areyto

Ni Antes Ni Despues

Sal Pa’ Fuera

Montate

Remora

Fundamental

Solo

Tirale

Pa’ Ti Pa’ Mi

Numbed

Puya

Oasis

Puya on Facebook

Bloodline Theory on Facebook

Zombie Frogs on Facebook

WORDS: ALEIDA LA LLAVE

PHOTOS: ECHOES IN THE WELL


On The Road…..with Puya


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“This is the Puya comin’ straight to ya! This is the Puya comin’ straight to ya!” Puerto Rico based Latin metallers Puya have returned from their dormancy to embark on a brief tour of the USA. They hit a bunch of East Coast dates, landed at Sirius XM studios in New York City and and appeared with Jose Mangin on Liquid Metal, and more. The band is revving up their engines again on their way to participate in the Patria Grande Festival in Cuba this November. Hopefully more tours and new music are on the horizon for the ground-breaking act that combined Latin Jazz, hardcore metal, funk and Nu Metal. Check out our photo set from their recent Boston show at The Middle East Downstairs. A full review is coming soon.

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Puya on Facebook

Puya Online


Ill Nino – Til Death, La Familia


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Chances are if you’ve followed mainstream metal in the past 15 years or so that you will have seen many a band come, many a band go and many stick around trying to re-create their previous success. Back in the early 2000’s Latin metallers Ill Nino were a regular feature of the scene, their first album Revolution Revolucion (Roadrunner) garnering them more than a few fans. Cut to the present day and Ill Nino are still alive and kicking, although their latest album isn’t quite as alive or kicking as the band themselves as Till Death, La Familia (Victory) leaves a feeling of indifference.

Starting with ‘Live Like There’s No Tomorrow,’ the song doesn’t give off the sense of urgency the title suggests it should have, the cries of “live like there’s no tomorrow” falling flat. After this, things do improve but only sporadically, with tracks such as the aggressively melodic ‘Not Alive In my Nightmare’ standing alongside such bland affairs as ‘Blood Is Thicker Than Water.’ It’s a running theme throughout the album with the good songs only really turning up in the middle section of the LP, which may be a bit too late for some listeners. ‘Pray I Don’t Find You,’ a slow starting but ultimately menacing track is one of the pick of the bunch, as its quick instrumental work and hostile shouts combine to create something very much worth listening to. Following number ‘World So Cold’ keeps up the angry entertainment, while ‘Dead Friends’ is yet another contender.

The problem, however, is that Till Death, La Familia doesn’t have enough of the above types of songs. Dull in some places and great in not many others, the results are an album that gives no real reason to listeners to draw them to keep coming back. Of course, there are a few tracks that you should hear but even these aren’t strong enough to warrant purchasing this album as for all but the most ardent of Ill Nino fans Till Death, La Familia is far from being a must have in your music collection.

 

Ill Nino on Facebook

5.0/10.0

 

 

EMMA QUINLAN