There’s always that one destination festival people call home. For metal heads it’s Wacken Open Air in Germany. For cruise enthusiasts it’s 70,000 Tons Of Metal. For hardcore it’s This Is Hardcore. Many people I’ve talked to love this festival and call it like a place they can get together with friends and see bands they love.
World Be Free occupies a very particular space in the in today’s musical landscape. A sort of hardcore supergroup featuring members of Terror (vocalist Scott Vogel), Judge (drummer Sammy Siegler), Strife (guitarist Andrew Kline) and Gorilla Biscuits (bassist Arthur Smilios), World Be Free is not the sum of its parts or a reflection of hardcore in 2016. Full length début, The Ant-Circle (Revelation), is more of a simulacrum of the New York and DC hardcore sounds of yesteryear with the occasional dash of pop-punk hooks.
And as an homage to those reverential 1980s bands, The Anti-Circle seems to check all the boxes. There’s an economical approach as 14 tracks come and go in less than half an hour and with only one clocking in at over three minutes. ‘Shake the Ghost’ and ‘Never Slip’ are fantastic examples of making the most with just the necessary musical ingredients.
However, while World Be Free’s riffs and lyrics were designed with the intention of channeling the vitality of their musical heroes, The Anti-Circle feels likes its spinning wheels. When Vogel bellows “You’ll never be a part of my world,” or “The times have changed” it doesn’t come across as empowering or intriguing as it isn’t saying anything Black Flag didn’t already say in 1981 (albeit in a much more satirical tone). And since its treading such familiar creative waters it, songs like ‘World Be Free,’ ‘All These Colors’ and ‘Breakout or Busted’ fail to distinguish themselves from one another.
That’s not to say that there aren’t successful moments of musical reverence to be found on The Anti-Circle. While probably the most tuneful song of the bunch, ‘Empty Things’ impresses with Kline’s melodic guitar lines. Also when World Be Free decides to shift gears and speed up they can generate some worthy slam dancing like in ‘I’m Done.’
World Be Free has a great album within them. It’s all a matter of them addressing the line between impression and homage.
6.0/10
HANSEL LOPEZ
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Day 2 of Wrecking Ball didn’t start until after 1 PM, so people had ample chance to recover in spite of the after parties. The early day belonged to bands on the outdoor Music Park Stage and the Heaven Stage. Early bands such as Yuck, and and Basement woke kids out of their stupors. Fans who showed up early got a treat seeing Mutoid Man’s Stephen Brodsky pull double duty later on with legends Cave In. Another highly anticipated group was the return of Glassjaw in only their second show back in action. They really brought it back with their set chock full of hits. Other early bands of note included Girlpool, the excellent Appleseed Cast, and screamo legends Thrice. Later on Desparecidos and American Nightmare brought the swelling crowds at witnessing their respective sets to their knees. American Nightmare in particular has been killing it live and tonight was no exception. Finally Coheed And Cambria closed the night in epic fashion. Wrecking Ball, we are already looking forward to next year. Thanks again to Boston Chuck Photograpy for the great shots from a packed photo pit!
Basement, by Boston Chuck Photography
Mutoid Man, by Boston Chuck Photography
Foundation, by Boston Chuck Photography
Glassjaw, by Boston Chuck Photography
Thrice, by Boston Chuck Photography
Coheed And Cambria, by Boston Chuck Photography
Coheed And Cambria, by Boston Chuck Photography
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