

“many lives” opens to an array of choral layers—reminiscent of Kenji Kawai’s Ghost in the Shell soundtrack—woven into holographic digital keyboards, high-tempo breakbeats, and a flowing current of vocals threaded with haunted vocoders, evoking the sense of an epic journey through a distant memory. The lyrics “house of a dream, walk into me / leave me behind, within between below” captures the bittersweet feeling of being left behind while evoking a dreamlike state of contentment. “part ii” offers a moment of stillness centered on classical guitar, signaling a peaceful reconciliation of what’s to come.