Gama Bomb is not just another tribute band to the glory days of Thrash Metal. Bats (Prosthetic Records) does display that while they are students of the era, they are also invested in establishing themselves as a band that walks in the present, while preferring to keep things at a more manic pace.Continue reading
With their debut album, Modern Grotesque, Dreamwell certainly hit the ground running, full of cathartic, screamo energy that most bands several years into their career wish they could muster. It was enough that the band even got picked up by Prosthetic Records, looking at Dreamwell to capture lightning in a bottle twice with their sophomore effort, In My Saddest Dreams, I Am Beside You.
If the sonic ambush and equilibrium-busting nature of Body Void’s Atrocity Machine (Prosthetic Records) didn’t make it clear enough: the world has been ass-backwards basically since humanity began to human.
Many bands over the years have incorporated H.P. Lovecraft’s work into their projects. Newcomers from Nottingham, England, Outergods, not only named themselves after the big baddies from the Cthulhu mythos, but even their overall sound instills fear and madness. A little over a half hour in length, A Kingdom Built Upon the Wreckage of Heaven (Prosthetic Records), debuts the haunting blend of black metal and grindcore this UK outfit has unleashed into the void for gods and mortals alike.
Depth Perception is the debut full-length album from recent Prosthetic Records signees Creak, a heavy new metallic Hardcore band hailing from Newcastle UK.
When anger calls, it’s important to strike the iron while it’s still hot.
And that has never been a problem for Australia-based behemoths Werewolves. Their brand of death metal has always been as straightforward as their name. And barely a year after the ferocious From The Cave To The Grave the equally ferocious and downright vitriolic My Enemies Look And Sound Like Me (Prosthetic Records) is here and more vengeful than ever.
Despite the mystique around the band itself (with the identity of the members largely unknown), musically The Netherland’s An Autumn For Crippled Children have been consistent and mostly familiar. Across the span of ten full-length albums, their sound has hardly deviated at all but has shown signs of refinement in the past, with their brand of post-Rock and shoegaze-tinged Black Metal being both despairing and simultaneously almost comforting with the consistency.Continue reading
In a world of ever-increasing hardship and struggle, it is easy to feel that dread is a more regularly present and less surprising companion day to day. Certainly, that is a sense that the multi-national (consisting of members from Brazil, France, Italy, and the UK), London-based Calligram convey throughout their sound with their roots consisting largely of Black Metal and Hardcore to a harrowing and ultimately relatable effect. Continue reading
Hold on, let me clear my throat. Let me attempt my best Jonathan Frakes Beyond Belief: Fact or Fiction voice. Do you remember Trap Them? Seminal Northeast Metallic Hardcore/Grind band? Oh, many good times were had. Crowd surfing as far as the eye could see in those glory days. Well, those days are unfortunately no more as that New Hampshire collective closed shop in 2017.
Pupil Slicer announced themselves in style with a sea of aggression, when their debut album Mirrors landed in 2021, and they immediately found themselves at home in the UKs thriving post-pandemic underground Metal scene, which saw them hitting the road the following year on a salivating and high-profile tour with Rolo Tomassi and Heriot. Mirrors was an accomplished debut performance of relentless raw energy and anger, with Pupil Slicer hinting at their full potential on the album’s final song ‘Collective Unconscious’, which was deeper and slower in pace, showing a maturity in their song-writing that extended beyond the abrasive math/deathcore on the rest of the record.